Yesterday, my editor called to ask me for some proof. She offered her sincerest apologies. She made clear that she didn’t question my memoir’s veracity. But, thanks to another Oregon memoirist, suddenly everyone else wants evidence that my story is actually my story.
It’s bad enough that my readers might not trust me, all because some greedy nutjob tried to put one over on them. What’s worse is that I can’t really prove my story. I sent my editor my diplomas. I asked my sister to send an email saying, “Yes, Kerry wrote our family’s story, for real.” I have a few photos, I guess. But, short of trying to contact boys from my past, I have no way to prove any of it. Add to this that those boys may not remember me, or they may remember things differently. Thinking about this doesn’t matter anyway because I have no idea where any of them are. Hell, I can barely remember most of their names!
And trying to prove my story, although fruitless, is much less difficult than, say, a memoirist who’s been sexually abused trying to prove hers. Should we ask Sue William Silverman, who wrote about how her father molested her throughout most of her childhood in Because I Remember Terror, Father, I Remember You, to prove that she was molested? How should we do this? Ask her father, who would certainly deny her accounts? What about Julie Gregory’s Sickened, in which she recounts the ways in which her mother made her sick to garner attention for herself. Who could prove such a thing? Certainly not her mother. Certainly not the doctors, who treated a truly sickened little girl.
The problem with needing to “prove” memoirs, of course, is that memoirs are stories of memory. Judith Barrington, author of Writing the Memoir, reminds us that memory is not something we can track down, the way a journalist might need to track down a fact. They are, by nature, slippery and subjective. Rarely, do we have the exact same memory of an event that someone else, also there, would. My sister, for instance, wrote my editor that my account was true, even though she had told me after reading it that she had a very different experience of herself from the one I wrote. She understood, though, that memoir isn’t autobiography – it’s a mining of personal truths. It’s turning memories into art.
Let’s hope these requests for evidence will pass. Even more, let’s hope writers will stop trying to pass off complete fabrication as nonfiction and ruining it for the rest of us.